No. 424
Crime, Eccentricity, and the Sporting Life in 19th Century America.
March 21, 2019

New York Society Classified.

November 27, 2011
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Coming Soon!
Horseshoe Saloon circa 1900-1910 (Click image to enlarge) LOODY FIGHT IN A SALOON More details of the October 1, 1897 Horseshoe Saloon brawl. Up until this post, the details of this saloon free-for-all, what had actually occurred, and why, have been largely unknown. An article dated October 2, 1897 in the Seattle Post-Intelligencer gives a much better picture of the
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Soapy Smith's Soap Box - 3/21/2019


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I’m not sure when the low-rise buildings at the southwest corner of Mulberry and Grand Streets were torn down. But if there’s any upside to the bulldozing of another old New York corner, it’s that we now have an amazing side view of the Federal-style house at 149 Mulberry. The view is almost a portal […]
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Ephemeral New York - 3/17/2019
The last executions in the Netherlands took place on this date in 1952: Dutch SS volunteer Andries Jan Pieters and German SS man Artur Albrecht, both condemned for war crimes committed during the Nazi occupation. Each was implicated in numerous incidents of torturing and executing prisoners. Both men were shot at Waalsdorpervlakte, outside The Hague. […]
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ExecutedToday.com - 3/21/2019


[Editor’s note: Guest writer, Peter Dickson, lives in West Sussex, England and has been working with microfilm copies of The Duncan Campbell Papers from the State Library of NSW, Sydney, Australia. The following are some of his analyses of what he has discovered from reading these papers. Dickson has contributed many transcriptions to the Jamaica Family […]
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Early American Crime - 2/7/2019
Perry Harrington and his wife, Maria, were spending a quiet evening at their farmhouse in Geneva, Ohio, on December 18, 1884, when the door burst open, and a masked man boldly entered the house. He pointed a cocked revolver at Mr. Harrington and demanded his money or his life. Seeing that he and his wife were at the mercy of the intruder, Harrington went into an adjoining bedroom to get his
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Murder by Gaslight - 3/16/2019
via Newspapers.com This odd little--UFO?--tale appeared in the "Philadelphia Inquirer," September 27, 1950: South Philadelphia police officers had a new explanation last night for what happens to those flying saucers people are always seeing: They dissolve. That's what happened last night to the airborne object first seen about 10 PM. by Patrolmen John Collins and Joseph Keenan. The two
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Strange Company - 3/20/2019
So- did Lizzie have a sweetheart? It would seem one Curtis I. Piece had high but unrequited hopes of winning …

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Lizzie Borden : Warps & Wefts - 2/3/2019
She Played Kissy Kissy | He Hit the Pipe

New York Society Classified.

New York Society
New York, New York, 1873 - In New York City there are many degrees or castes of society; probably in no other city in the world will we find so many phases of human life. Some of these, the most palpable, we would consider, and to that end refer them to those three great thoroughfares of trade and travel, the Bowery, Broadway, and Fifth Avenue.[more]
 
The Bowery

 The Bowery Boy is the personification of the New York “b’hoy” with a careless swagger and insolent leer. He cares “nothing for nobody,” but is bent on having a “general good time anyhow.” He is found hanging around porterhouses or corner groggeries in company with others of like proclivities. He is well known to the police, and well instructed in all ingenious dodges for the evasion of legal process. He is an object of aversion to the law-and-order-abiding citizen, of horror to the timid.

We see the Bowery girl with her gay turban and flowing head dress, yclept “waterfall,” aping, so far as her limited resources will permit, the style of her more fortunate sisters. She steps mincingly and stealthily along, casting from side to side covert glances through her semi-masque veil. She is cat-like in motion and demeanor. She works hard on the hoop-skirt or the sewing machine, and as day after day glides by without any special improvement in her social and pecuniary circumstances, she looks to marriage as the only relief from poverty, and often, trusting too implicitly the representations of a “friend,” she becomes the victim, and then sinks rapidly into a sad state of moral degradation.

Broadway

The Broadway swell is clean and fastidiously dressed, with hairs frizzed and mustache waxed and curled, a la militaire. He attends to some little matter which he dignifies by the name of business, but the greater portion of the day finds him lounging about a hotel or promenading the street cane in hand and staring at the lady pedestrians. He has much to do with sham-jewelry concerns, mock-auctions, and faro tables; is generally on the lookout for a green’un whose pocket he will adroitly lighten of his wallet. He believes in the “high life,” and he lives “fast.”

The Broadway belle is an object of much consideration. She saunters carelessly along, indifferent to everything but the admiration of others. She is far from indifferent to fashion, but consults contrast and conspicuity in her mode of dress. Does fashion prescribe a large bow to her bonnet strings, she is very likely to increase the size of said bow and permit long ends to flow gracefully down either side. She is a strange compound of simplicity and affectation, of naiveté and shrewdness, of intelligence and ignorance; at one time charming by her vivacity, at another repelling by her dullness or airy affectedness. She to a great extent controls her own fortune, and is not all the painted toy which many account her. She is the dashing, sprightly spaniel.

Fifth Avenue

The Fifth Avenue blood claims to be of all others, the very

“glass of fashion and the mold of form.”
He dresses exquisitely; his tailors and barbers are artistes, so that his fine (?) shape is displayed to the best advantage. With mustache and side whiskers of the Dundreary style, and eye-glass straining the orbicular muscles, he rides in his shining “dog cart,” or struts daintily along ogling the passers-by. He believes in aristocratic privileges and glories in castes; he is one of the “upper crust.” He is accounted a great catch by eligible young ladies and maneuvering mamas. He is a fair representation, on the principles of comparative physiognomy, of the furry-faced monkey, while the Broadway dandy is a good goat, and the rowdy an irascible bull-dog.

The Fifth Avenue flirt is a craft of a very different rig. She believes in “Full sail,” in crowding on “all the canvas.” Fashion is one of her chief gods, and they who can not come up to its requisitions re dropped out of her “set.” She sweeps grandly along with an air of assumption and importance that is as ludicrous as it is supercilious. She claims for herself aristocratic privileges, and she is not to be judged according to the “low, mean” standard of common people. Her portrait, as we give it, well portrays the purse-proud, stuck –up sentiments which reign within her mind. She may be likened to the indulged, capricious, and fickle poodle.

 


From: The Phrenological miscellany, or, The annuals of phrenology and physiognomy from 1865 to 1873. Rev. and combined in one volume. ed. New York: Fowler & Wells, 1882.