No. 458
Crime, Eccentricity, and the Sporting Life in 19th Century America.
January 27, 2020

New York Society Classified.

November 27, 2011
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Chapter 2
As regular readers of my blog (all three of you) may have noticed, I have, without really intending to, built a subcategory of stories of people who are found strangely, inexplicably dead. All these cases are puzzling, but there are few that top the end of an otherwise completely normal man named Zigmund Adamski. In fact, some will tell you his death was positively otherworldly. Zigmund
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Strange Company - 1/27/2020


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(Click image to enlarge) new quote attributed to bad man "Soapy" Smith Discovered in an edition of the Alaska Mining Record, April 5, 1899. ______________________ The sensational press of the east are now engaging in some real pipe dreams of their own, and allow a column or two of Canadian and American fights on the Atlin and Porcupine border to creep into their paper. One
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Soapy Smith's Soap Box - 1/16/2020
Never heard of “Raisin Street” in Greenwich Village? If you lived in the nascent city of New York in the early years of the 19th century, you might have traversed it. The rise and demise of this little street has a curious backstory. “Raisin Street” was a corruption of “Reason Street,” the name given to […]
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Ephemeral New York - 1/27/2020

Beginning on January 1st, W&W will begin featuring fascinating short clippings from the Fall River papers and other newspapers from …

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Lizzie Borden : Warps & Wefts - 12/29/2019
The Rogers family were early settlers in Blue Lick Springs, Kentucky, having fought a bloody battle with Indians to secure their homestead. They never lost their frontier zeal for violence as a tool for solving problems, even for family disputes which, apparently, were frequent and quite intense. In the 1880s, Willis Rogers had eight children, five boys and three girls. In the heat of an
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Murder by Gaslight - 1/25/2020
Blood accumulates upon us. Verily, it does seem that the reins of justice have been loosely thrown to the devil, and that we are all driving at breakneck speed in the same direction. -Nashville Banner (via) On this date in 1866, four youths employed as teamsters in the Army corrals of Union-occupied Nashville were hanged […]
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ExecutedToday.com - 1/26/2020
[Editor’s note: Guest writer, Peter Dickson, lives in West Sussex, England and has been working with microfilm copies of The Duncan Campbell Papers from the State Library of NSW, Sydney, Australia. The following are some of his analyses of what he has discovered from reading these papers. Dickson has contributed many transcriptions to the Jamaica Family […]
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Early American Crime - 2/7/2019
She Played Kissy Kissy | He Hit the Pipe

New York Society Classified.

New York Society
New York, New York, 1873 - In New York City there are many degrees or castes of society; probably in no other city in the world will we find so many phases of human life. Some of these, the most palpable, we would consider, and to that end refer them to those three great thoroughfares of trade and travel, the Bowery, Broadway, and Fifth Avenue.[more]
 
The Bowery

 The Bowery Boy is the personification of the New York “b’hoy” with a careless swagger and insolent leer. He cares “nothing for nobody,” but is bent on having a “general good time anyhow.” He is found hanging around porterhouses or corner groggeries in company with others of like proclivities. He is well known to the police, and well instructed in all ingenious dodges for the evasion of legal process. He is an object of aversion to the law-and-order-abiding citizen, of horror to the timid.

We see the Bowery girl with her gay turban and flowing head dress, yclept “waterfall,” aping, so far as her limited resources will permit, the style of her more fortunate sisters. She steps mincingly and stealthily along, casting from side to side covert glances through her semi-masque veil. She is cat-like in motion and demeanor. She works hard on the hoop-skirt or the sewing machine, and as day after day glides by without any special improvement in her social and pecuniary circumstances, she looks to marriage as the only relief from poverty, and often, trusting too implicitly the representations of a “friend,” she becomes the victim, and then sinks rapidly into a sad state of moral degradation.

Broadway

The Broadway swell is clean and fastidiously dressed, with hairs frizzed and mustache waxed and curled, a la militaire. He attends to some little matter which he dignifies by the name of business, but the greater portion of the day finds him lounging about a hotel or promenading the street cane in hand and staring at the lady pedestrians. He has much to do with sham-jewelry concerns, mock-auctions, and faro tables; is generally on the lookout for a green’un whose pocket he will adroitly lighten of his wallet. He believes in the “high life,” and he lives “fast.”

The Broadway belle is an object of much consideration. She saunters carelessly along, indifferent to everything but the admiration of others. She is far from indifferent to fashion, but consults contrast and conspicuity in her mode of dress. Does fashion prescribe a large bow to her bonnet strings, she is very likely to increase the size of said bow and permit long ends to flow gracefully down either side. She is a strange compound of simplicity and affectation, of naiveté and shrewdness, of intelligence and ignorance; at one time charming by her vivacity, at another repelling by her dullness or airy affectedness. She to a great extent controls her own fortune, and is not all the painted toy which many account her. She is the dashing, sprightly spaniel.

Fifth Avenue

The Fifth Avenue blood claims to be of all others, the very

“glass of fashion and the mold of form.”
He dresses exquisitely; his tailors and barbers are artistes, so that his fine (?) shape is displayed to the best advantage. With mustache and side whiskers of the Dundreary style, and eye-glass straining the orbicular muscles, he rides in his shining “dog cart,” or struts daintily along ogling the passers-by. He believes in aristocratic privileges and glories in castes; he is one of the “upper crust.” He is accounted a great catch by eligible young ladies and maneuvering mamas. He is a fair representation, on the principles of comparative physiognomy, of the furry-faced monkey, while the Broadway dandy is a good goat, and the rowdy an irascible bull-dog.

The Fifth Avenue flirt is a craft of a very different rig. She believes in “Full sail,” in crowding on “all the canvas.” Fashion is one of her chief gods, and they who can not come up to its requisitions re dropped out of her “set.” She sweeps grandly along with an air of assumption and importance that is as ludicrous as it is supercilious. She claims for herself aristocratic privileges, and she is not to be judged according to the “low, mean” standard of common people. Her portrait, as we give it, well portrays the purse-proud, stuck –up sentiments which reign within her mind. She may be likened to the indulged, capricious, and fickle poodle.

 


From: The Phrenological miscellany, or, The annuals of phrenology and physiognomy from 1865 to 1873. Rev. and combined in one volume. ed. New York: Fowler & Wells, 1882.