Via Newspapers.comOn one occasion, “Pennies From Heaven” became more than just an old song, if the following story is to be believed. The “Washington Post,” October 1, 1905:Genoa, Sept 22.--Genoa has its ghost, with this peculiarity--that people run after it instead of fleeing for their lives. No one has seen the ghost, but its presence is indicated by a rain of money! Every evening, between 6
If you’re used to thinking of Duane Street as an affluent downtown street stretching from Foley Square to Tribeca, then this 1877 depiction of a dingy, down and out Duane Street will come as a surprise. The painter is Louis Comfort Tiffany. Before he made his name by creating stained glass pieces, he studied painting. […]
The last hanging in Puerto Rico history took place on this date in 1927. Like most such instances, it was more remarkable as a milestone than as a crime. Pascual Ramos, piqued that he’d been fired from a night watchman job upon his boss’s accusation of theft, revenged himself upon that man: According to eye […]
Mrs. Sarah Shancks owned a high-end millenary concern—“a fancy thread and needle store”—at 22 East 12th Street. At around 10:00 AM, the morning of December 7, 1860, Susan Ferguson, who worked as a seamstress for Mrs. Shanks, entered the store but could not find her employer. She went to the back room where Mrs. Shanks resided and found her lying on the floor in a pool of blood. Her throat had
Capt. Jeff. R. SmithArtifact #67
Envelope - front
Jeff Smith Collection
(Click image to enlarge)
apt Jeff. R. Smith
Artifact #67 is an envelope sans the content letter, addressed to "Capt. Jeff. R. Smith, Skaguay, Alaska." The stamp and the front postmark are present, reading, "San Francisco Cala, Jul 14 - 6 a.m.," meaning that it left San Francisco at that
[Editor’s note: Guest writer, Peter Dickson, lives in West Sussex, England and has been working with microfilm copies of The Duncan Campbell Papers from the State Library of NSW, Sydney, Australia. The following are some of his analyses of what he has discovered from reading these papers. Dickson has contributed many transcriptions to the Jamaica Family […]
In August 1842, a sensational new curiosity called the Feejee Mermaid was exhibited at P. T. Barnum’s American Museum in New York City. Though it was advertised throughout the country with pictures of traditional, topless female mermaids, the real Feejee Mermaid looked more like an
unnatural amalgam of dissimilar species. Which, in fact, it was. Instead of seeing an alluring full-sized mermaid of legend, visitors to the museum found a small, taxidermically preserved specimen with the withered head and abdomen of a monkey grafted onto the tail of a fish. It was described by one critic as the “incarnation of ugliness.”
The Feejee Mermaid was not new when Barnum introduced it. The mermaid had been on display for months in a museum in Boston and had been exhibited twenty years earlier in London. It took the showmanship and promotional skill of P. T. Barnum to make the Feejee mermaid a star. In addition to the misleading advertisements, Barnum created the story of Dr. J. Griffin, an English naturalist who captured the mermaid near the island of Feejee.
Not everyone believed in the mermaid’s authenticity. The Feejee Mermaid had as many skeptics as it had avid believers and heated debates went on wherever it as exhibited. P. T. Barnum did not care whether people believed in the mermaid or not, as long as they came to see it. As he (allegedly) said, “The bigger the humbug, the better people will like it.”
Barnum, P. T. Struggles and triumphs, or Forty years' recollections of P.T. Barnum written by himself. Author's ed. Buffalo, N.Y.: Warren, Johnson, 1873.
Boese, Alex. The museum of hoaxes: a collection of pranks, stunts, deceptions, and other wonderful stories contrived for the public from the Middle Ages to the new millennium. New York, NY: Dutton, 2002.