No. 444
Crime, Eccentricity, and the Sporting Life in 19th Century America.
October 16, 2019

Chorus Girls in a Panic

March 14, 2011
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Chapter 2
Our old familiar the Newgate Calendar supplies us with this narration of a Scottish Jacobin to pop the powdered wigs from Edinburgh to Westminster. A published version of the trial in question is available here, and a last-speech broadside awaits you here. Watt is the only monument in Executed Today‘s pages to the attempted creation […]
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ExecutedToday.com - 10/15/2019


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By Jo Anne Giovino with photography and research by Barbara Morrissey and Kristin Pepe *(All rights reserved, August 2019) Although …

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[Editor’s note: Guest writer, Peter Dickson, lives in West Sussex, England and has been working with microfilm copies of The Duncan Campbell Papers from the State Library of NSW, Sydney, Australia. The following are some of his analyses of what he has discovered from reading these papers. Dickson has contributed many transcriptions to the Jamaica Family […]
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Chorus Girls in a Panic

Chorus Girls Panic

New York, New York, 1894 - An unruly horse causes great excitement in the Metropolitan Opera House, this city. [more]

Panic reigned for a few minutes the other afternoon upon the stage of the Metropolitan Opera House, New York, during the representation of "Carmen." It was due to an unruly horse, one of the number which make such an effect in the stage picture of the last act.

When the mounted Alguasil made his appearance, just before the entry of the toreador, his steed began to show that it was in very high spirits, to the uneasiness of the chorus, who felt they were closer than was absolutely safe.

Skillfully curbing the animal, the Alguazil, a Dane named Nyegaard, rode to the center of the stage. There the horse grew so Unruly that Mr. Nyegaard was compelled to rein it sharply, which made it rear on its hind legs right in the midst of the choristers. The chorus scattered right and left and two chorus women took a flying leap into a portion of the audience.

One of the women scrambled back onstage immediately, but the other, of heavy build, had to be assisted back by a couple of her mates and an usher, while the audience laughed heartily. During the hubbub Signor Bevignani continued conducting with as much gravity and composure as though it was all an everyday happening.


Reprinted from The National Police Gazette - February 17, 1894